Intermission
a creative coffee break from writing the play

William Shakespeare
April 24, 1564

And someone else
unknown to us.

Mine honour keeps the weather of my fate. Life every man holds dear; but the dear man Holds honour far more precious dear than life.

Troilus and Cressida, Act V, Scene 3
by William Shakespeare

Thornton Wilder
April 17, 1897
Madison, Wisconsin

And someone else
who is not yet
known to us.

…Only it seems to me that once in your life before you die, you ought to see a country where they don’t speak English and don’t even want to.

Our Town: a play in three acts
By Thornton Wilder
Published by Samuel French, Inc., 1965

For those of you joining us on the teleconference: You uplift us with your presence, and we thank you for participating!

Listen to the April 13th OMCCB Meditation: Gratitude Prayer

The meditation is hosted on a rotating basis. We don’t know in advance what the other will present. Each meditation is new and a surprise to us all.

If you’d like to join the live broadcast, we invite you to signup for the remaining meditations. It’s free and it’s fun!

Coming up: the next OMCCB Meditation!

Whether you define yourself as a writer, an artist, or an entertainer you are welcome to participate. You are in fact invited.

When: Monday April 13, 7:30pm PST.

Please sign up to participate here.

Our original invitation is here.

COST: NONE. Except perhaps your phone call.

Tennessee Williams
(Thomas Lanier Williams)
March 26, 1911
Columbus, Mississippi

And someone else
who is
unknown to us.

Death is one moment, and life is so many of them.

The Milk Train Doesn’t Stop Here Anymore, By Tennessee Williams
Published by Dramatists Play Service, Inc., 1964

More information here.

The great Director Augusto Boal delivers the 2009 World Theatre Day address:

All human societies are “spectacular*” in their daily life and produce “spectacles” at special moments. They are “spectacular” as a form of social organization and produce “spectacles” like the one you have come to see.

Even if one is unaware of it, human relationships are structured in a theatrical way. The use of space, body language, choice of words and voice modulation, the confrontation of ideas and passions, everything that we demonstrate on the stage, we live in our lives. We are theatre!

Weddings and funerals are “spectacles”, but so, also, are daily rituals so familiar that we are not conscious of this. Occasions of pomp and circumstance, but also the morning coffee, the exchanged good-mornings, timid love and storms of passion, a senate session or a diplomatic meeting – all is theatre.

One of the main functions of our art is to make people sensitive to the “spectacles” of daily life in which the actors are their own spectators, performances in which the stage and the stalls coincide. We are all artists. By doing theatre, we learn to see what is obvious but what we usually can’t see because we are only used to looking at it. What is familiar to us becomes unseen: doing theatre throws light on the stage of daily life.

Last September, we were surprised by a theatrical revelation: we, who thought that we were living in a safe world, despite wars, genocide, slaughter and torture which certainly exist, but far from us in remote and wild places. We, who were living in security with our money invested in some respectable bank or in some honest trader’s hands in the stock exchange were told that this money did not exist, that it was virtual, a fictitious invention by some economists who were not fictitious at all and neither reliable nor respectable. Everything was just bad theatre, a dark plot in which a few people won a lot and many people lost all. Some politicians from rich countries held secret meetings in which they found some magic solutions. And we, the victims of their decisions, have remained spectators in the last row of the balcony.

Twenty years ago, I staged Racine’s Phèdre in Rio de Janeiro. The stage setting was poor: cow skins on the ground, bamboos around. Before each presentation, I used to say to my actors: “The fiction we created day by day is over. When you cross those bamboos, none of you will have the right to lie. Theatre is the Hidden Truth”.

When we look beyond appearances, we see oppressors and oppressed people, in all societies, ethnic groups, genders, social classes and casts; we see an unfair and cruel world. We have to create another world because we know it is possible. But it is up to us to build this other world with our hands and by acting on the stage and in our own life.

Participate in the “spectacle” which is about to begin and once you are back home, with your friends act your own plays and look at what you were never able to see: that which is obvious. Theatre is not just an event; it is a way of life!

We are all actors: being a citizen is not living in society, it is changing it.

- Augusto Boal

Check out artist Keri Smith’s great post on in which she unleashes it all, thoughts on creation, life, ads, things not making sense, grumpy feels and a whole mess of stuff

For those of you joining us on the teleconference: You uplift us with your presence, and we thank you for participating!

Listen to the 3rd OMCCB Meditation: The Urge to Create

The meditation is hosted on a rotating basis. We don’t know in advance what the other will present. Each meditation is new and a surprise to us all.

If you’d like to join the live broadcast, we invite you to signup for the remaining meditations.

We have to be careful that we don’t equate success with how much money we make. I know that we all have to find a way to support ourselves. Certainly we want our work seen and read. But I have always been more comfortable with the goals of someone like Eliot who seemed to be interested in the work itself. And finding a way to bring out the highest sense of it he can.

On Risk and Writing, by Horton Foote

Horton Foote. March 14, 1916 – March 4, 2009

If we all gave Art and Entertainment our highest good thought, if even for a minute once a month, could we help change how the Society-At-Large embraces it?

The next OMCCB Meditation will be held next Monday night, March 9th at 7:30pm PST. If you are not already signed-up for it, please do so here. Come on and join us! It’s fun!

Our original invitation is here.

Whether you define yourself as a writer, an artist, or an entertainer all are welcome to participate. You are in fact invited.

COST: NONE. Except perhaps your phone call.

Thanks to everyone who participated last night by calling into our 2nd One-Minute Creative Coffee Break Meditation. We really appreciate those of you choosing to call-in!

If you haven’t yet, we invite you to signup for the remaining meditations.

The meditation is hosted on a rotating basis. We don’t know in advance what the other will present. Each meditation is new and a surprise to us all.

Listen to the 2nd OMCCB Meditation: Art Questions