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Intermission
a creative coffee break from writing the play

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If we make well-crafted plays that express the essence of what it is to be human, then theatre will have a future...
Raymond Bobgan, Artistic Director, Cleveland Public Theatre
AT25: An Eye on the Future, American Theatre, April 2009

Bless the Actors

July 18th, 2006

Re-write of the play completed. Now, time to hear it before continuing on with, I think/hope/feel, one more re-write. This time, not a cold reading as we did in March, but one with a director and a couple of rehearsals, and a small audience of some sort in a theatre annex.

Despite knowing these actors for some time now, I am always chagrined to ask for not only one more reading, but for one with some time commitment (study, rehearsal, performing) on their part. I am always amazed when they say yes. And if I had money, I’d pay them. As it is, I lavish food upon them at rehearsal. Probably to the slight annoyance of the director, as it messes with his idea of how the time should go. Yet, he is as kind and generous as the actors with his time. He ‘gets’ the play, and does what I cannot do: direct my own stage work. If left up to me, I’d end up giving actors line readings, and I know that’s not directing. It’s easier for me to give over the interpretation of my script if I’m sitting behind the director. Umm…I mean that figuratively, not literally.

These talented people have sat through endless Monday nights reading, listening to the play in its earlier forms. While they are all gifted at cold reading, at the first rehearsal, I sense they appreciate being able to tackle the material with some thought and direction, and not just cold.

Occasionally, the director stops and calls out, “Playwright?” Yes, he actually calls me that instead of my name, although no one else shares the same. He poses a question, asks for clarity, or tells me a line interrupts the flow and asks for a cut or a re-write. Sometimes I agree, sometimes not. Sometimes I realize his solution can better be solved with my solution. It is always better, I feel, to come up with my own solution.

My excitement about the play grows, moving from fear, trepidation, anxiety into something more confident. I try to think of other ways to thank my band of volunteers than food. I cannot thank them enough for all they do. They are an integral part of the development process. Playwrights need to hear their work read aloud. Playwrights HAVE to hear their work read aloud.

I don’t like all actors. I haven’t gotten along with all actors. I’ve had my share of twirling dervishes.

Actors are a gift. I hope to always treat them accordingly.

Comments:
Very exciting to read about this. I wouldn’t like being called “Playwright” either. Sheesh, what’s up with that?
The creative process, the writing and re-writing are aspects that the audience never sees. They experience the finished product, distilled in its finest form. But I rather like reading about how the process unfolds. To me, that’s the art of it all. Continued success to you.
Deb 2006/07/27 at 2:43 PM

Posted in Actors and Others