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Intermission
a creative coffee break from writing the play

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If we make well-crafted plays that express the essence of what it is to be human, then theatre will have a future...
Raymond Bobgan, Artistic Director, Cleveland Public Theatre
AT25: An Eye on the Future, American Theatre, April 2009

Dale Wasserman

December 27th, 2008

To me it was irrelevant that his [Cervantes] plays were not successful. One recognizes the passion for theatre that drives those of us who share it. A playwright has no problem identifying the techniques of theatre in the novel Don Quixote. There is the creation of living, breathing characters; the manufacture of a world better than the one we have been born to; the search for concise yet poetic expression of that world; the difficulties of realization which never measure so splendidly as the dimensions in one’s mind. And by all means include the love of applause, not from anonymous readers but from a living, breathing audience in the immediate presence of one’s creation. The affinity I felt with Cervantes is the same affinity common to all writers of theatre. We know each other, in the same moment in which we are ferociously competitive.

Cervantes: Bulletin of the Cervantes Society of America 19.1 (1999): 125-30.

Dale Wasserman. Born Nov 2, 1914. Died Dec 21, 2008.

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